MY BOOK


Carole regularly attends the Science of Consciousness Conference in Tucson, AZ; most recently in 2020. She has presented her research there, as well as at poetry events and other academic settings. Her work was originally informed by Julian Jaynes's theory on the hallucinatory origins of poetry and prophecy in the right hemisphere of the brain. She was an invited speaker at the Julian Jaynes Conference in Charleston, WV, in 2013, and, more recently, at a symposium on "Further Reaches of the Imagination II" at the Esalen Center for Research and Theory in Big Sur, CA, Nov 1-6, 2015. She was invited to speak at the Poetry by the Sea global conference in Madison, CT, May 2016, but, unfortunately, was unable to attend. On February 23, 2017, she presented her research at the Jung Center of Houston.

Her book, In Their Right Minds: The Lives and Shared Practices of Poetic Geniuses, brings together all of her literary and neuroscientific research and was considered an Amazon Hot New Release in Neuropsychology and Poetry / Literary Criticism. She writes on literary and scientific themes at rightmindmatters.blogspot.com and new research on hemispheric differences, atypical lateralization and handedness on https://www.facebook.com/RightMindMatters/.

She is currently working on a book on female mystics and mediums, beginning with the story of Joan of Arc, and female poets who felt aligned with her. Her stand alone article on Joan of Arc is available for purchase here:

https://www.ingentaconnect.com/content/imp/jcs/2019/00000026/f0020011/art00008

Jung's NDE and my Creative Response

Who is to say where our thoughts come from? I'd say from everything we've heard, read, seen or dreamed about, and sometimes from a distant shore or shared mind-space as in my "Freud only got it have right. Read the two Hyperion poems" dream. May I add that at the Julian Jaynes Society Conference, to my shock, I learned that I was not the only one to get a message to read a Keats poem in a dream. Life stresses can make significant messages and unusual creativity erupt in altered states of consciousness.

Around 10 years ago, I was doing a workshop based on Julia Cameron's The Artist's Way at the Jung Center in Houston. I hoped to open my mind to creativity. A mainstay of the course is writing "Morning Pages," where 3 pages must be produced without editing upon waking in the morning. On this day, we were to describe "My perfect self on a perfect day." I had read Jung's Memories, Dreams, Reflections and was taken with the idea of "the stripping process" he experienced in an NDE occurring at the time of a heart attack. Here is my slightly edited version of that assignment:




My Perfect Self on a Perfect Day


I awake early, having slept well in the night. Revelatory dreams provide clues that unravel the seams of mystery. I write and I write, turning what I have heard into massive reams of prose, exposing the underbelly of existence for what it really is: a stark void spun into stories that comfort and contain us or nagging urges to create anew against the current of consensual reality. Pages accumulate, ideas proliferate, metaphors clash and spar for expression.  I have to tame the flow to get it all out, to get it right.

Head spinning with the creator’s passion, her pleasure pulses at every turn of phrase. 

Now she sits in a sacred space, facing the Buddha: we are serene, proud, and terribly alone. She decides to let it ALL go.

Transported to a desert, she experiences the final stripping process. Imploring the universe (which doesn’t exist, except as a spinning confection gone out of control) to lighten her load, to pick the thoughts one by one from her brain, to free her from the last vestiges of ideation. Now the pictures go. They spin out into the sky, racing, gyrating, jolting against each other; then, with a snap and a puff, they are gone. 

Alone and free, the skin melts from her bones. Nothing remains but her bones, bleaching in the afternoon sun. The whiteness startles her—it is bright, sparkling with perfection. The sun’s light polishes them further: smoothing, pruning, etching out the last vestiges of individuality and imperfection. Glorious light shines forth. She is the light. Shaking, aching tranquility pulses through the night towards a final destination: a distant star, as bright as she, where she will pour forth every last atom of pure energy. Molecules spin and dance, delighted that they have found their new home, where neither word nor image recurs, unsparingly, unsympathetically to scar her soul from its one true delight: 

Perfect, silent, merged splendor.