Carole regularly attends the Science of Consciousness Conference in Tucson, AZ; most recently in 2020. She has presented her research there, as well as at poetry events and other academic settings. Her work was originally informed by Julian Jaynes's theory on the hallucinatory origins of poetry and prophecy in the right hemisphere of the brain. She was an invited speaker at the Julian Jaynes Conference in Charleston, WV, in 2013, and, more recently, at a symposium on "Further Reaches of the Imagination II" at the Esalen Center for Research and Theory in Big Sur, CA, Nov 1-6, 2015. She was invited to speak at the Poetry by the Sea global conference in Madison, CT, May 2016, but, unfortunately, was unable to attend. On February 23, 2017, she presented her research at the Jung Center of Houston.
Her book, In Their Right Minds: The Lives and Shared Practices of Poetic Geniuses, brings together all of her literary and neuroscientific research and was considered an Amazon Hot New Release in Neuropsychology and Poetry / Literary Criticism. She writes on literary and scientific themes at rightmindmatters.blogspot.com and new research on hemispheric differences, atypical lateralization and handedness on https://www.facebook.com/RightMindMatters/.
She is currently working on a book on female mystics and mediums, beginning with the story of Joan of Arc, and female poets who felt aligned with her. Her stand alone article on Joan of Arc is available for purchase here:
|Wide-eyed André Breton|
|Dutch author Hester Albach's book in French|
|The Real Nadja - Léona Delcourt|
|Léona's drawing accenting|
|Back cover with one of her letters|
We must an anguish pay
In keen and quivering ratio
To the ecstasy.
Sharp pittances of years,
Bitter contested farthings
And coffers heaped with tears.
everything would appear to man as it is, Infinite (112)” and affirms that: “At some point science
will realize that the universe is not a universe, as such. It will recognize that unlimited
consciousness is all there is (121).”
. . . through dreams, images, intuitions, and so on (144).”
Furthermore, the cover for my resulting book came to me as a hypnopompic image as I awoke one morning.